Two reasons why we want you to watch Vallamai Tharayo: ‘Parthiban’s naturalistic performance and Chaya Singh’s comeback with good performance’. Are only these things that elevate the film? Of course, commencing her directorial venture with an emotional drama, Madhumitha hasn’t done a commendable job. Tripping whole of finesses and dragging screenplay in the second half and indeed many aspects are those that stop this film from hitting bull’s eyes.

What’ so special with the story? Does it sound appealing for the masses, especially for the women community? May the flick seems to a woman-centric, but has the partial traces of Mani Rathnam’s yesteryear movie Mouna Ragam. A woman seeking divorce from her husband for a simple reason that he is a good hearted person and this was the storyline revealed prior to release. Here we bring the synopsis and well analyzed of our team….

The film opens with the scenario of Nanditha (Chaya Singh) walking away free from her husband Anand (Parthiban) after seeking divorce. What led her to take up such a drastic step is revealed with the flashback. Back in the past, Nanditha is a jovial girl leading a happy life with her dad (Anand Raj) and mom (Kuyili). Falling in love with her cousin boy (Srikanth), both of them have no idea other than getting married. But as cliché, there rises whole lot oppositions from Nandita’s dad who thought of getting his daughter married to Anand. Stringent situations force her abide her dad’s order and there you find both Nandita and Anand entering into nuptials.

But sooner, unable to forget her lovable one, she decides to get divorced and then lead an independent life. As you know, the flashback gets over here and second half deals with Anand trying to convince Nanditha and get united with her. Does he join hands with Nanditha or not forms crux of the story?

Chaya Singh does laudable performance, but at most of the part is spotted with angered face and at rest crying all the way. Nothing is to be blamed on her part, for its Madhumitha’s direction.

Parthiban with trimmed looks and naturalistic performance turns spotlight on him. Other star casts including Srikanth who appears only for few minutes has spelled good acting.

Music by Bharadwaj is not appealing and couple of melodious songs are worthy listening while rest of the songs are not more convincing and so does his background score.

Valuating this film on whole, the two reasons are the only aspects for which you can watch it and nothing more you can expect from Madumitha. This is not a fine start from her and she should have well worked on certain attributes that would have won her laurels.